Sunday, March 14, 2010

Sample For Recommendation Letter In Dentistry

Arsenal or the pure pleasure of watching football. Something very

Arsenal Football moves me, moves me and gives pleasure. London Symphony Orchestra is conducted by Maestro Arsene Wenger, he has implemented a philosophy of life that exceeds the reality of this sport overwhelmed by the business, not just a football team. In the preparation and development of the idea, the concept is treated well flowing ball, rolling it permanently separate lawn. Rifarla not ever, not even with the difficulties that may generate an opponent. Someone will assist your partner to leave the pressure of the rival. There will be time for a dribble in the final meters of the stadium to open paths to the goal. Always be supportive all components of the equipment to recover the fumble. May be too naive to the most powerful, but will be always faithful to his idea. It is a club that will not spend huge sums to acquire an outstanding figure, will be the supply source of new talent, to train the capture and convey the core values \u200b\u200bfor their development.
Arsene Wenger said in his autobiography: "I play to win every game. But I think that football is not the business of buying and selling. I think it is a shared construction. Work and grow together. I enjoy it when the team is grow and realize the things you can do. "
is for all who love this sport, the example to follow. Enjoy before each presentation, as the rout in the last round of the UEFA Champions League against Porto 5 year, and without its biggest name, Catalan Cesc Fabregas.
In each presentation there will be an opportunity to praise an individuality, but first team play. Names will not matter but the foundation, the essence of the school to carry out its premise. Maybe not win, or the Premier League or Champions League, but believe me is not important as it causes glare whenever he can strengthen his play. In this mode of play is the dedication of the team above the rest.
will continue screaming goals from Arsenal as the most passionate fan.
* I add a paragraph of Santiago Solari a year ago about in the newspaper El Pais in Spain, I find a great definition: "Arsenal know who knows what she wants and acts accordingly. It has a management model that covers all aspects from sport to the economic, respecting a road or, rather, building a road. Wenger and Arsenal have taken on a responsibility that ultimately aesthetic is nothing more than an agreement to respect the essence of the game, acquiring an almost anachronistic commitment to beauty, as the of the craftsmen who made the mosaics of the Basilica of San Marco in Venice, sacrificing today in pursuit of sustainability.
Arsenal's success then lies in being a club identity. Its merit is not only adhere to a particular idea, but staying true to it knowing it is a much longer road, which brings an invaluable amount of effort and time, either in getting the players more suited to commune with the idea that to transmit all the arguments that allow you to shape it competitively. Arsenal's success is to bring many years of playing good football in this maelstrom of instant results, instant wins. The success of Arsenal, in short, is that all their matches and hope Wenger is we all want to play on his team. "

Tuesday, March 2, 2010

Salmon Patty With No Egg

by Rafael Bielsa

By email, ran out to my friends who live in Chile. In this house of reinforced concrete walls where I am, next to the river, all the omens are trembling, but of impatience. As bottles thrown into the sea a few, very few messages are answered. Diego tells me "... silence is plucked like an orange. " What was early morning, sleep, black velvet, fell through the cracks become branches in sirens screaming as asteroids giving birth in salty bird cries brought the depth of the sea in your ad, not that scared screams inhuman but too human. "Have you ever came down the stairs and the water will win the race?" Some committed suicide by jumping into the pool vacuum desde el piso de arriba, y un malón desbocado de agua pequeña y apurada se te mete entre las piernas y busca la salida con óptimo instinto. “En un piso once, no hay tiempo para nada. Me moví rápido y sin sentimientos. Algo me decía que tenía que llegar a las escaleras y que tenía una sola oportunidad”.
Un terremoto es una serie de convulsiones, pero para quien lo vive nada se repite en serie. Cada segundo es único y por eso parece no terminar nunca. Diego pensó en su familia, en sus padres, en algún amigo. “Es como si las casas de la vereda de enfrente fuesen la imagen que arroja una pantalla de televisión, y de repente sufrieran una falla vertical que las hace bailar moviendo las caderas. I felt nauseous, a kind of intoxication of white drink of poor quality. The ground flew as thick and bitter liqueur. I could not walk and do not know if it was because he could not or because I inadvertently did not want. " Surge layers of asphalt, the electricity goes, that again, to be forever, forever again, by God, that is, not to go back. They all say something, but no dialogue. Nobody listens. Everyone feels that the place is safer for himself not for anyone else. Do not tell anyone. Marco tells me that he woke up a few seconds before the start of the aftershocks and instinctively wanted to take the cordless phone. "When we started the ruckus was something eternal. When leaving the house the walls of the corridor approaching each other. I thought I was going to press. Is rare. Seems slow, but at the same time, feels that there is no time for anything. The lapse of time as we know. You'll laugh, but I thought it was inanimate life and mine was more important than those structures, the bricks, stones. Do you know how it feels when you move the neighborhood? One is used to move to get to various points, not that these points are ones that move. "
My brother tells me that experienced the anguish of impotence, of not knowing what to do, how much will last, he writes that after happens, you read around in the key of which are the safest places to fill, if necessary. One can decipher their own movement and even the movement of others and of objects such as cars. But it has a language to know what we mean inanimate things moving. It's like moving to become silent for a moment to another, deaf to the twisting, blind to the immediate future. Diego writes: "I do not think you could go back to sleep, that awake in a flat side that has gone mad for ever. Huis, but feel it's a sleepwalking scene. I was not afraid, quite the opposite. Did things as selflessness, as if something between the space and I blocked is very difficult to explain. In the street there are some trees. The glasses are bent, very ceremonious, but ran no wind. In a while I thought I would need more time to understand what was happening to me, but I did not want to understand anything else. Nothing at all. " Framework fails to prevent the flashbacks, "The phone falling off the bedside table, the walls of the hallway that looked like the cheeks of a trumpet, a dog in a strange position, standing on four legs, but with the neck to one side and mouth to the other, screaming and looking for someone that only he saw. "
My brother told me that he never thought of the elasticity of the unheard upright. "Now is broken, now it is broken, I believed, and did not break." Partitions that are not in Juan Pinto Durán broke, the sports complex of the Chilean National Team, but in conception, if the Santiago International Airport, another in Colima. Now comes the death toll, damage assessment, international solidarity, condolences, restoration of services, the gradual return to what we call normal. Also disproportionate physical and emotional reactions to events related to the trauma, hypervigilance, irritability, leakage. Diego writes: "The eleventh floor rooms are saturated with a very fine grit-white, I do not know where it went, as if everything had been eaten from the inside and the atmosphere is filled with dusty involves things which gave this instant mount obvious appearance of a B-movie. " Neither was a stunt or it was a movie.